Friday 29 May 2015

From Pottery Porcelain: Production and Preservation in the Heart of England


2015’s two-day ICON Ceramics and Glass Group conference was held in Worcester with a good demographic of around forty delegates in attendance. Conservators from the museum sector and private practice attended as well as students from many of the conservation courses throughout the UK.

The first day started with a trip to the Royal Worcester Porcelain Museum where we a received a talk from Master Potter Roger Green who explained the design, development and casting process used by Royal Worcester to create their figurines. Following this the group was given a tour of the museum (the world’s largest collection of Royal Worcester porcelain) by the great Henry Sandon of Antiques Roadshow fame! This was one of the highlights of the conference, his knowledge is second to none and his enthusiasm and love for porcelain are infectious.












After lunch there was a wonderful tour of Worcester Cathedral given by three very knowledgeable guides. Perhaps the area of the cathedral that made the greatest impression on me is the section that was left unrestored during the 19th century renovations as a lasting reminder of the devastation caused by the reformation and the English civil war.


The second day of the conference comprised of presentations from both practicing conservators and students. All of the talks were highly informative, however, there were some standouts among the group. Jerrod Seifert, student at Cardiff University gave an excellent presentation on the use of enzymes for adhesive removal on ceramics. Peter David, a private ceramics conservator regaled the audience with the story of an exceptionally hot gallery (120oF), the havoc it wreaked on the adhesive holding shelves of ceramics in place and the subsequent conservation works that were undertaken to repair the damage caused when the shelves decided to take a southerly journey.

Two colleagues and I, from the University of Lincoln gave our first ever conference presentation regarding the conservation and restoration of some replica terracotta warriors and the digital replication of a missing warrior head. Digital copies of most of the presentations are available through the ICON website. To summarise the two days, I drank a lot of tea, met many lovely people and learned a great deal; it was thoroughly enjoyable and interesting two days.

Written by Anna Stone, MA student at the University of Lincoln.  

Wednesday 2 October 2013

Nigel Williams Prize 2014


  • Have you recently (or within the last three years) completed a conservation/restoration project in ceramics, glass, or some related material that might be of interest to others in the profession?
  • Did it present some interesting challenges, technically and/or ethically, perhaps requiring a bit of lateral thinking?

If so, why not apply for the Nigel Williams Prize 2014!

The Winner receives £1000, together with a “virtual” presentation of a gilded ceramic copy of the Portland Vase (kindly donated by Wedgwood and kept on permanent display in the Museum).

A Secondary Prize of £400 may, at the judges' discretion, be awarded to any application considered to be a close runner-up.

A Student Prize of £250 will be awarded for the project judged to be the best of those completed while the applicant was still a full-time student.

For all details regarding the prize, conditions and how to apply
(under: Groups/Ceramics&Glass/Nigel Williams Prize)

Or contact the Prize Co-ordinator: ronaldpile37@btinternet.com

Saturday 21 September 2013

Call for Papers


"TAPE AND SPILLAGE - INTERVENTIVE TREATMENTS IN A PREVENTIVE CLIMATE"
York  16th-17th May 2014

We are delighted to announce that the next CGG Conference will be held in York, one of England's most beautiful and historic cities, on the 16th and 17th May 2014. We now invite the submission of abstracts for presentations and posters for this event.

This conference aims to discuss and evaluate the variety of interventive treatments available to us and ethical decision making, regardless of whether we work alone in private practice or in larger institutions. The Conference will be set in York (Jorvick to the Vikings) and will include tours of various historically significant buildings ad collections on Friday 16th May with a full day of talks and posters arranged for Saturday 17th May.

Abstract submissions should include the following:
  • The title of the presentation
  • the names of all contributors
  • mailing address,
  • telephone number
  • and e-mail of the contact person.
Abstracts should be approximately 300 words and will be included in the delegate pack.

Deadline for abstracts: 17th January 2014

Contact: Rebecca Sanderson becci_louise@yahoo.co.uk for presentations
              AC Orr ac-orr@hotmail.co.uk for posters


see the website for further details: 
http://www.icon.org.uk/index.php?option=com_content&task=view&id=22&Itemid=

Saturday 22 June 2013

Visit to deMorgan foundation

Earlier this month a group of Ceramics and Glass conservators visited the deMorgan foundation in Wandsworth.  This wonderful collection of ceramics and paintings was formed by Evelyn De Morgan’s sister, Mrs Wilhelmina Stirling and bequeathed in Trust for the public to enjoy today.









The group was treated to a fascinating talk by the collection's curator about the life and work of William and Evelyn de Morgan. William de Morgan was heavily influenced by the Islamic Isnik pottery, and many examples of his brightly coloured blue and green ceramics can be seen on display.

One of William de Morgan greatest contributions to ceramics, was however, his work into lustreware. The bright coppery reds and golds on his tiles and pots are particularly impressive.


















Wednesday 3 April 2013

ICON CGG AGM and tour of the de Morgan Centre


The ICON Ceramics and Glass Group is delighted to announce that booking for our group’s tour of The De Morgan Centre, lunch and AGM is now open.

The tour and AGM will be held on Saturday 8th June 2013

Icon’s Ceramics and Glass Group have arranged a tour of fabulous De Morgan Centre which houses the largest collection of William De Morgan's ceramics.
De Morgan began his career working alongside artistic contemporaries such as William Morris and Edward Burne-Jones, before opening his own potter’s studio in Chelsea. His work is heavily inspired by the brilliant colours of Islamic pottery, especially the bright turquoise he first admired on Iznik work of the 16th century.
This wonderful collection was formed by Evelyn De Morgan’s sister, Mrs Wilhelmina Stirling who died aged ninety nine in 1965. She bequeathed her substantial art collection to be looked after in Trust for perpetuity and the De Morgan Foundation Charity was formally created in 1967.

The day will include a tour of the collection, lunch and AGM with a visit to the pub after.


See our Group's webpages for further information and a booking form http://www.icon.org.uk/index.php?option=com_content&task=view&id=22&Itemid=

Cost: £20, open to CGG members only.

Saturday 12 January 2013

ICON PF 13 Positive Futures in an Uncertain World


The Ceramics and Glass Group are delighted to be able to announce that they will be holding a half day specialist session at Icon’s Conference 2013: Positive Futures in an Uncertain World - In partnership with the University of Glasgow.

Conservation past, present and yet to come...”

Five fascinating talks will take up through the history of ceramics and glass conservation, as well as introduce exciting new techniques for the future of conservation:


Claire Magill ACR and Fergus Purdy (National Trust)  "Conservation of the ornate Gothik wardrobe at Castle Ward"

- detailing the setting up of a temporary conservation studio at Castle Ward, allowing the public even greater access to the work of Conservators.

Peter David ACR   "The more it changes, the more it stays the same"
- a personal perspective on the changes in conservation over the last 30 years.

Hannele Hentula (Glasgow museums)  "Come to an unsticky end: failure of Ablebond 342-1 epoxy adhesive on a 16th century Venetian wine glass"
- an assessment of previously popular adhesives in glass conservation.

Ronald Pile  "To see or not to see? An alternative approach to contemporary ceramic restoration"
- a reflection on the differences in approaches to conservation in Japan and the UK following intensive in Kyoto.

Tiago Oliveira (West Dean)  "Temporary transfer papers as retouching media for ceramics conservation"
- the results of a study into an alternative approach for retouching ceramics.


Don't miss these exciting talks - 
choose the Ceramics and Glass session on your booking form!

Early Bird booking for PF13 closes on 18th January - so secure your place today!

Visit: http://www.iconPF13.com for more information and booking forms

Sunday 25 November 2012

Silicone Mould Making Workshop


Making moulds for casting may well be a task that is familiar to you, easy even. However, for members of the Ceramics and Glass group a simple little task was made just a little bit harder!

Course leaders Dana Norris and Kenneth Watt took participants through a process they admitted would “usually take them a week” in just one day. With the aid of fast curing silicone, clear instruction, and plenty of tea, everyone succeeded in producing 2 and 3 part silicone moulds complete with plaster mother moulds. A variety of objects were chosen for the activity, brought by participants from their own studios and homes - everything ranging from a tea cup handle to a Lego man - proving that with correct technique you can produce a mould for just about anything!

The unexpected hit of the day was the modelling wax used in the creation of the moulds. Ken recommended this over the more traditional plasticine as it doesn’t contain those oils which can be harmful to the surface of the object. Members of the group had fun softening the wax before use with a variety of methods including a hairdryer.







There was just time whilst the silicone was curing for a whistle stop tour of the recently created conservation galleries in the Ashmolean. Interestingly, the group was able to see some of Dana’s work on casting new pieces for glass objects in the museum, bringing the slideshow we had initially seen to life!






I think I can speak for the whole group in saying that the workshop was an invaluable experience, introducing new materials and techniques.